Bio

I received a BFA, magna cum laude, from Hartford Art School, West Hartford, Connecticut, with a concentration in two-dimensional studies, and continued with postgraduate studies at the Akademie der Bildenen Künste in Munich, Germany. As a collagist, painter, book arts and fiber artist I often invoke a metaphysical quality of contemplation and timelessness. My works on/of paper reference the material of antique books, music manuscripts, ephemera and photo postcards - deconstructing paper, images and text, and using it in metaphorical ways. Through the exploration and manipulation of the antique materials, history, memory and time merge in a hybrid form. My devotion to books is inspired by the ability of the written word to take the reader to other places through stories, poems, and prayers. My process reveals how language can become visual through re-interpretation.

In celebration of the 25th Sunken Garden Poetry Festival, the Hill-Stead Museum, Farmington, CT presents Boundless: Altered Book in Contemporary Art in 2017 - I will be guest curating three unique approaches to transforming and exploring the malleability of the form, creating new structures and experiences of the codex. Works by Erin Walrath, Chris Perry and Carole P. Kunstadt will be showcased in the Museum's Library.

Recently my Sacred Poems were showcased in WORD 2016 at The Hudson Valley Center for Contemporary Art, Peekskill, NY. Numerous group exhibitions throughout the United States which have featured my work are notably, Slash: Paper Under the Knife, Museum of Arts & Design, New York, NY; The Divine and Sublime, Drawing Rooms, Jersey City, NJ; PATTERNS, Wired Gallery, High Falls, NY; Reader’s Art: Concealed, Confined and Collected, Minnesota Center for Book Arts, Minneapolis, MN; Materials: Hard & Soft, Denton, TX; Abstract Evocative, Woodstock Artists Association & Museum, Woodstock, NY; The Book: A Contemporary View, Delaware Center for Contemporary Arts, Wilmington, DE;  NEW YORK REGIONAL, Magnitude SEVEN and Textuality, Manifest Creative Research Gallery and Drawing Center, Cincinnati, OH, and in  Canada, The Art of the Book 2013, Canadian Bookbinders and Book Artists Guild, Calgary, Alberta.

The Everhart Museum of Natural History, Science & Art, Scranton, PA showcased a selection of my Sacred Poems in Between The Covers: Altered Books in Contemporary Art. The Museum of Biblical Art, New York, NY featured my complete Old Testament Series in the exhibition As Subject and Object: Contemporary Book Artists Explore Sacred Hebrew Texts. Representative works from the Old Testament Series were featured in And The Word Is.... in the Gershman Gallery at the University of the Arts, Philadelphia, PA and were included in Somewhere Between Creation and Destruction, Joseloff Gallery, Hartford Art School. Concurrent in Hartford, CT, in partnership, the Clare Gallery and the Charter Oak Cultural Center presented Between The Lines: Works by Carole P. Kunstadt - two consecutive solo exhibitions from September through December 2014, providing a survey of past and current work.

The PBS/OFF BOOK Book Arts mini-documentary in the series on progressive arts, features Kunstadt in the segment, Transforming the Sacred. https://www.youtube.com/watch?v=eC4fLk-XeeI

Public Collections include George J. Mitchell Department of Special Collections & Archives, Bowdoin College Library, Brunswick, ME; The Book Arts Collection of the National Museum of Women in the Arts, Washington, DC; The Permanent Collection of the Center for Book Arts, New York, NY; Montclair State University Collection, Montclair, NJ; Curt Teich Postcard Archives, Lake County Discovery Museum, Wauconda, IL.

 

 

 

CV

Download Carole P. Kunstadt's CV (PDF, 7 pages)

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